You will find below seven
oratorios composed by Charles Gounod.
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YEARS
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WORKS
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1866(?)
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Tobie, petit oratario, paroles de H.
Lefèvre. Choudens. Trad. angl. par H. Farnie
(London, Icramer, 1872).
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1871
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Gallia, motett for soprano solo, chorus,
orchestra and organ composed for the opening of the
International Exhibition 1871. London,Novello.
Gallia, lamentation, paroles françaises de
Ch. Gounod. Partition chant et piano, Choudens. La
même partition piano solo, arr. par Antony.
Id., ib.
Le même, arr. pour concert: voix, piano,
orgue, violon ou violoncelle, paroles
françaises, latines, italiennes et
allemandes. Id., ibid. (1872).
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1878
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Jésus sur le lac de
Tibériade, scene biblique. Partition
piano et chant réduite par Léon
Lemoine et fils.
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1882
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La Rédemption, trilogie
sacrée, partition piano et chant,
arrangée par B. Tours. London, Novello
(1882). The Redemption a sacred trilogy, written
and composed by Ch. Gounod. The piano forte
accompaniement arranged, by Berthold Tours. Id.,
ibid. Ia même, The english version by the
Rev. J. Troutbeck, M.A., the pianoforte
acompaniement arranged by Berthold Tours. Id.,
ibid. Die Erloesung, deutsche Uebersetzung von Jos.
Weyl.
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1883
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Christus factus est. Graduale feria
quinta in coena Domini; the words adapted by
Charles Santley; the music from the Oratorio «
The Redemption » composed by Ch. Gounod.
London, Novello.
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1884
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Mors et Vita, a sacred trilogy written
and composed by Ch.Gounod, the vocal score with
pianoforte accompaniement, arranged from the
orchestral score by o.-e. Brown. London, Novello
(1885)
Death and Life, a sacred trilogy. The
English translation by J. Troutbeck. Id., ibid.
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